March 2024

What Do Ventriloquists Call Their Puppets?

Having been in the ventriloquism community for over three decades, and met Jeff Dunham, Terry Fator and many other greats, I’ve heard puppets referred to by a number of names.

Generally, here’s how ventriloquists refer to their puppets:

The most commonly used term is ventriloquist figure, and second most common is sidekick.

There’s more to this, based partly on the discussions I’ve heard at the VentHaven International Ventriloquist Convention, which I share below:

LIST OF WHAT VENTRILOQUISTS CALL THEIR PUPPETS:

  1. Vent Figure
  2. Sidekick
  3. Character

NOT RECOMMENDED:

  1. Dummy

Let’s check out each of the terms and consider the Pros and Cons.

1) Ventriloquist Figure (or Vent Figure, Figure)

At the VentHaven International Ventriloquist Convention, there have been many discussions about what to call our fun little pals. The consensus is the most proper term is “Vent Figure.”

Half of the illusion of ventriloquism is made possible by the belief that your little pal is real. If you call him or her a “dummy,” for instance, it’s going to be a reminder the character is not real.

That’s the last thing we ventriloquists need – a reminder it is fake.

When you call it a ventriloquist figure, it is proper, gives respect to the character we want the audience to believe is real, and everyone wins.

 

2) Sidekick (or Comedy Sidekick)

I first heard a puppet referred to as a Sidekick by Jeff Dunham in an interview he did for what I believe was People Magazine back in 2001. It’s great because you can also call it a “comedy sidekick” if you’re trying to appeal to an audience who appreciates stand-up comedy.

He referred to his entire crew of sidekicks as a Posse.

When you hear these terms, you imagine real little people spouting off their funny opinions to Jeff. It works, but each ventriloquist needs to figure out what works best for them.

 

3) Character

I’ve heard the little dudes referred to as Characters by someone who I respect greatly – Myself.

I personally like character because it seems to carry with it mainly positive attributes. Plus, if you’re hoping to someday turn the personality you’ve created into more than just ventriloquism, like children’s books, children’s programming, merchandise licensing, etc., then character seems fitting for such a thing.

At one point, a manager I had at the time sat me down and explained that creating a fun show can lead to $10 million. If you can create a “world,” it can be $100 million plus.

Think of Winnie the Pooh, Charlie Brown and Peppa Pig. These are massive brands based on characters.

 

Not Recommended – Dummy

This term has too many negative connotations. At the VentHaven Convention, they generally discourage you from using it.

Image of Ventriloquist Lester in 1904

Ventriloquist “Great Lester” in a public domain photo dated 1904. This was back before cigarette smoking was publicly known to cause health issues.

It’s tough because if you are speaking to a general audience, they will typically know instantly what you are referring to if you say “dummy.” As far as communication goes, this would seem like a wise move. It is very efficient. They know what you’re talking about, and it takes very little explanation.

My website, after all, is tied in with the word.

I even sort of don’t like the term, even though it rhymes with “funny” and I own the domain name (liketony.com) and the copyright is mine too. I still use funnydummy as my brand, though, because it is so easy for people to remember.

My guess is they think my characters are “funny,” and I’m a “dummy” for being a ventriloquist as a profession.  Ha ha.

 

 

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How Does One Become a Comedian?

After over 20 years as a professional comedian, I’ve heard about every story imaginable either first-hand or through others of how comics got their start.

Image of comedy show stageIf you’ve got the comedy bug, here’s how one becomes a comedian::

  1. Write down topics that seem interesting or odd to you.
  2. Of these topics, write down interesting info about each.
  3. Go back over what you’ve written and interject your comments or observations throughout.
  4. Repeat step three several times. TIP: Don’t try to be funny. Endeavor to be genuine and share your honest thoughts.
  5. Go over what you’ve written down so many times that you could literally rattle it off without looking at your notes.
  6. Take it to an open mic night at a coffee house or comedy club and see what kind of response you get. TIP: Make sure to at least record the audio for later reference.
  7. Listen to your performance and see where people laughed the most.
  8. Do this one or two more times with that same script.
  9. Toss out the parts that didn’t get a good response, and elaborate on topics that you now have new thoughts on.
  10. I know it sounds cliche, but “rinse and repeat.”

You may be saying, “Wait a minute! I want to know the business side of things – not how to develop the skills.”

Honestly, if you can put together an act that consistently gets laughs with strangers young and old, you’re about 90% of the way there.

In fact, Jerry Seinfeld once told The New York Times that up-and-coming comedians can make the mistake of focusing too heavily on marketing instead of developing their show.

Here are some stories of how a few comedians who you may be familiar with got their start:

Jay Leno, comedian and TV host

Image of Jay Leno Star HollywoodJay Leno noticed his bent toward the funny business when in grade school. He made a decision early on that comedy would be an important part of his life.

Initially working as a mechanic, Leno started out by getting gigs at a local strip club outside of Boston where he lived. Yes, it’s a very strange venue to hone your comedy chops, but he used his strong work ethic to not let having a tough audience and awkward performing situation phase him.

It seems to have worked out for him!

Mike Epps

Image of Mike Epps ComedianHe got his start in comedy clubs in Indianapolis. He joined Def Comedy Jam comedy tour in 1997, and that sort of put him on the radar of movie producers.

Epps has since become a movie star in his own right, and still performs much stand up comedy.

I’ve asked if he wanted to perform at Comedy and Magic Club in Hermosa Beach, California, but his act is a bit too edgy for that audience (my words, not his). He does a great job connecting with his audiences and has a massive following.

Jeff Dye, comedian and TV host

If you’re familiar with Jeff Dye, although commercially successful, he is nowhere near the level that the formerly mentioned comic, Jay Leno, is; however, he has accomplished an amazing amount in a short time.

I ran into Jeff Dye at a now defunct comedy club in Seattle, Giggles Comedy Club, back in 2007. At the time, he was making peanuts (figuratively speaking, but literally only a few dollars per gig) around Seattle and even around the Pacific Northwest. I remember stories of him driving to Wyoming to entertain at some shady casino and making very little money for it. In fact, by the time he drove there and back, I wonder if it ended up costing him more to do the gig than to just sit on the couch at home.

But he was performing, which was key. I remember him mentioning talking to his modeling agent at Heffner Management in Seattle about getting modeling jobs, so I believe he was doing everything he could to make ends meet, including non-comedy things like using his looks to bring in dough.

While he was at what I believe was the Comedy Underground in Seattle, a scout for the NBC TV show Last Comic Standing saw him and asked if he’d compete on the show.

If I remember correctly, he placed third that season, which gave him enough TV exposure to begin getting a following (people who would pay to see him do comedy at comedy clubs throughout the U.S.), plus it opened up other TV opportunities like being on TV show Fixer Upper. He even created his own show called Money From Strangers and it aired on MTV for a couple of seasons.

Jimmy Kimmel

He does a stand up set every night on his show, so you’d think he got his start in comedy clubs.

Interestingly, his background is actually in radio. He was on radio with Adam Corolla for years.

I’ve never been a guest on his show, but have visited with him and his wife a couple times because he lived part-time near me. He has a sharp mind and a quick wit, and he would probably say not to include his story of how to be a comedian here, where I’m including it. 🙂

Jerry Seinfeld

Considered one of the ultimate comedians because of the length and success of his career, Seinfeld started out by performing at open mics at comedy clubs in New York. Meanwhile, he was working as a waiter at a restaurant.

There was a transition for him professionally when he realized that waiting tables was holding him back. People would see him at a comedy club and be impressed with his show. Then they’d be waited on by him at a restaraunt and said, “you do this too?”

He felt he had to make the leap and start living full-time off the money he was making from comedy clubs, which probably wasn’t much at the time, and leave the restaurant business.

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Do Ventriloquists Throw Their Voice?

With 26 years of experience as a professional ventriloquist, I’ve been through about every training that exists. Also, I’ve met most of the ventriloquists who are household names.

Here’s the definitive answer to whether ventriloquists throw their voice:

Ventriloquists do not actually throw their voice. Instead, they create the illusion that their voice is being “thrown.”

Image of Ventriloquists Comicstrip

It is important to note that there are two ways a ventriloquist creates this illusion. One is called near ventriloquism, the other is distant ventriloquism. We’ll take a quick look at what each of these is.

Near Ventriloquism

When a ventriloquist makes a puppet or dummy talk, this is considered near ventriloquism. Because the object is next to them, and they are creating the illusion that the voice is coming from it.

No special voice skills are required to pull this off – besides not moving ones lips and also moving the puppet to make it look lifelike.

All of our lives, we have seen a correlation between someone’s mouth moving, and a voice coming from their mouth. When we hear a voice and see a puppet’s mouth move – even though it is a few feet from where the source of the voice, our brain automatically tells us the voice is coming from the puppet. The illusion is created automatically.

Distant Ventriloquism

This is where a ventriloquist creates the illusion that a voice is coming from a source quite distant from the ventriloquist. As it may go without saying, some serious magic is required to successfully pull this off.

Compared to near ventriloquism, this can be more difficult.Of course, I’m not downplaying the high level of skill required for near ventriloquism. After all, speaking without moving your lips, plus making an inanimate object look lifelike is quite a feat!

Back to distant vent (short for ‘ventriloquism’). From an audience’s perspective, a voice seems to be coming from an attic, as an example. In reality, it is coming from the ventriloquist.

Half the challenge is altering one’s voice to make it sound like another person’s voice coming from another location. The other half is leading the person to believe it is coming from that source.

In near ventriloquism, an audience member’s brain is telling them the voice is coming from the puppet in their plain sight. In distant ventriloquism, the ventriloquist’s non-verbal or verbal response to the voice is what creates the illusion.

This could be as simple as the ventriloquist’s body language showing shock by jumping away from the fictitious source of the voice when they hear it.

Examples of Near Ventriloquism

Over the last few years, three ventriloquists have America’s Got Talent using near ventriloquism. Terry Fator, Darcy Lynne and Paul Zerdin all made puppets in their possession talk.

Another is Comedy Central start Jeff Dunham. His use of near vent to make Walter (crank old guy), Bubba J (hillbilly), Peanut (purple thing) and Achmed of “I keel you” fame talk has made him a millionaire many times over.

Image of comic Ventriloquist special events

Examples of Distant Ventriloquism

Althought AGT winner Paul Zerdin primarily made puppets in his possession talk, there were some bits where he made a puppet of a baby cry who was some distance from him. The puppet was in a baby carrier facing away from the audience, while Zerdin was standing above the baby carrier.

On a personal note, whenever I’ve tried to incorporate distant ventriloquism into my routine, at open mic’s I was told that it didn’t sound like a voice was coming from the attic. Instead, it apparently sounded like I was constipated. Yikes! 😂

I believe most anyone could learn distant ventriloquism if they were willing to put in the time and effort. Thus far, I obviously haven’t been motivated enough to do so myself.

Whether a ventriloquist is throwing their voice into a puppet nearby, or an object far away, they are not throwing their voice. It is the incredible illusion that leads the audience to believe the voice is being “thrown.”

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