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Brief History of Stand Up Comedy in USA: From Vaudeville to Netflix Specials

06/04/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: Comedian, Comedy

Stand-up comedy has become an integral part of American entertainment, with a rich history that dates back to the early 1900s. It has evolved over the years, reflecting the social, cultural, and political changes in the country.

Today, stand-up comedy is a multi-billion dollar industry, with countless performers and fans across the United States.

Image of Red Hat Entertainer

The roots of stand-up comedy can be traced back to vaudeville shows, which were popular in the early 1900s. These shows featured a variety of acts, including comedians who would perform short, humorous skits.

As the popularity of vaudeville declined, stand-up comedy began to emerge as a distinct art form. The 1950s and 1960s were a particularly important time for stand-up comedy, with performers like Lenny Bruce, Richard Pryor, and George Carlin pushing the boundaries of what was considered acceptable in comedy.

Today, stand-up comedy is more diverse than ever, with comedians from all backgrounds and walks of life taking the stage.

From clubs to theaters to streaming platforms, there are countless opportunities for comedians to showcase their talents and connect with audiences.

Let’s take a look at the history of stand-up comedy in the United States, highlighting some of the most important performers and moments in the genre’s evolution.

Vaudeville Roots and Minstrel Shows

Image of Vintage Opera House

Stand-up comedy has a rich history in the United States, with roots dating back to the 19th century.

One of the earliest forms of stand-up comedy was the minstrel show, which featured white performers in blackface portraying African Americans in a stereotypical and offensive manner. These shows were popular in the mid-1800s but eventually fell out of favor due to changing social attitudes.

Fanny Brice in character as “Baby Snooks”

In the late 1800s and early 1900s, vaudeville shows became the dominant form of entertainment in the United States. Vaudeville shows were variety shows that featured a range of performers, including comedians, singers, dancers, and magicians. Many of the early stand-up comedians got their start performing in vaudeville shows.

One of the most famous vaudeville comedians was Will Rogers, who became known for his folksy humor and commentary on politics and current events. Other notable vaudeville comedians included Fanny Brice, who was known for her character Baby Snooks, and Eddie Cantor, who was known for his energetic and irreverent style.

As vaudeville declined in popularity in the 1920s and 1930s, stand-up comedy began to evolve into a distinct art form. Comedians began performing in nightclubs and theaters, and their material became more personal and observational. This new style of comedy paved the way for the stand-up comedians of today, who continue to push the boundaries of what is considered funny.

The Birth of Stand-Up Comedy

Image of Stand Up Mic

Stand-up comedy has become a staple of American entertainment, but its origins can be traced back to the late 19th century. At that time, vaudeville shows were popular, and comedians would perform short sketches and jokes between musical acts.

From Burlesque to Nightclubs

In the early 1900s, burlesque shows became popular, and comedians began incorporating more adult humor into their acts. This led to the rise of stand-up comedy in nightclubs, where comedians would perform their routines for adult audiences.

One of the first comedians to achieve widespread success in nightclubs was Jack Benny, who began his career in vaudeville before transitioning to radio and television. Other famous comedians of the era included George Burns and Gracie Allen, who were known for their witty banter and comedic timing.

Radio and Television Influence

The rise of radio and television in the mid-20th century helped to popularize stand-up comedy even further. Comedians such as Bob Hope and Milton Berle became household names through their appearances on radio and television shows.

In the 1960s and 1970s, stand-up comedy experienced a resurgence with the rise of comedy clubs and the popularity of comedians such as Richard Pryor, George Carlin, and Joan Rivers. These comedians pushed the boundaries of what was considered acceptable in comedy and paved the way for future generations of comedians.

Today, stand-up comedy continues to be a popular form of entertainment, with comedians performing in clubs, theaters, and arenas across the country. From its humble beginnings in vaudeville and burlesque shows to its current status as a cultural phenomenon, stand-up comedy has come a long way over the past century.

Modern Era of Stand-Up

Image of Modern Stand Up Comedy

The modern era of stand-up comedy in the USA began in the 1960s and 1970s. During this time, comedians began to experiment with new styles and topics, pushing the boundaries of what was previously considered acceptable in comedy.

Comedy Albums and Specials

One of the key developments of this era was the rise of comedy albums and specials. Comedians such as Richard Pryor, George Carlin, and Bill Cosby released albums that became hugely popular, allowing them to reach a wider audience than ever before.

These albums often tackled controversial topics such as race, politics, and sex, and were seen as a way for comedians to express themselves freely without the restrictions of television or radio.

Comedy Clubs and Festivals

Another important development of the modern era of stand-up comedy was the rise of comedy clubs and festivals. Clubs like The Comedy Store in Los Angeles and The Improv in New York City became popular venues for up-and-coming comedians to perform and hone their craft.

In addition, festivals such as the Just for Laughs festival in Montreal and the Edinburgh Festival Fringe in Scotland provided a platform for comedians to showcase their talents on an international stage.

These clubs and festivals helped to create a thriving comedy scene, and many of the most successful comedians of the modern era got their start performing in these venues.

Overall, the modern era of stand-up comedy in the USA was characterized by a willingness to push boundaries and tackle controversial topics, as well as the rise of new platforms and venues that allowed comedians to reach a wider audience than ever before.

Significantly, comedians such as Jerry Seinfeld, Brian Regan and Mitch Hedberg took a more lighthearted approach, and generated laughter by just pointing out peculiar topics from everyday life.

Social Impact and Evolution

Image of Stand Up comedian at conference

Stand-up comedy has had a significant impact on American society and culture, both politically and socially. As the genre has evolved over time, it has become a platform for comedians to express their views on a wide range of social and political issues, as well as get laughs from the most seemingly mundane topics..

Political and Social Commentary

One of the most notable aspects of stand-up comedy is its ability to provide social and political commentary.

Many comedians have used their platform to address important issues such as racism, sexism, and social inequality. For example, Richard Pryor’s commentary on race and Eddie Murphy’s commentary on homophobia were groundbreaking in their time and helped to raise awareness about these issues.

Changes in Style and Delivery

Stand-up comedy has also undergone significant changes in style and delivery over the years.

In the early days of comedy, comedians relied heavily on one-liners and jokes. However, as the genre has evolved, comedians have become more focused on storytelling and personal anecdotes. This has allowed them to connect with audiences on a more personal level and to address more complex issues.

In addition, the rise of social media has allowed comedians to reach larger audiences and to connect with fans in new and innovative ways. As you may be well aware, many comedians now have their own podcasts and YouTube channels, which allow them to share their views and connect with fans on a more consistent basis.

Overall, stand-up comedy has had a profound impact on American society and culture. As the genre continues to evolve, it will undoubtedly continue to shape the way we think about and engage with important social and political issues.

How to Write Comedy: Tips and Tricks for Crafting Hilarious Jokes

05/04/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: Comedian, Comedy, comedy writing

Writing comedy is a challenging and rewarding art form that requires a unique set of skills. Whether you are an aspiring comedian or a writer looking to add humor to your work, learning how to write comedy can be a valuable tool in your arsenal.

Before you can start writing jokes, you need to figure out what kind of comedian or comedy writer you want to be…

What makes you unique?

What experiences do you have that others don’t?

What makes you laugh?

In this article, we will explore:

the fundamentals of comedy writing and
provide tips and techniques to help you improve your skills.

Pro Tip: 🏆 If you want to skip to the GOLD, I suggest scrolling down to the section below titled “Developing Material.”

To write comedy effectively, it is important to understand what makes people laugh.

Laughter is a response to:

surprise,
incongruity, and
tension release.

Comedy writers use these elements to create humor in their work. They also use techniques such as:

exaggeration,
wordplay, and
misdirection

to enhance the comedic effect.

Writing comedy can be a challenging task, but with the right approach, anyone can learn to do it well. By understanding the fundamentals of humor and using proven techniques, you can create comedy that resonates with your audience and leaves them laughing for days.

So, let’s dive into the world of comedy writing and explore the art of making people laugh.

Understanding Comedy

History of Comedy

Comedy has been a part of human culture for thousands of years.

The ancient Greeks and Romans had comedies as part of their theatrical performances. In the Middle Ages, jesters and clowns entertained royalty and peasants alike. In the 20th century, comedy became a popular form of entertainment in television and film.

Types of Comedy

There are many types of comedy, each with its own unique style and audience. Some popular types of comedy include:

Stand-up comedy: A comedian performs in front of a live audience, often telling jokes and stories based on personal experiences.
Sketch comedy: A series of short comedy scenes performed by a group of actors, often with recurring characters and themes.
Improv comedy: A type of comedy where performers create scenes and characters on the spot, based on audience suggestions.
Satire: Comedy that uses irony, sarcasm, and ridicule to expose and criticize societal issues and flaws.
Parody: Comedy that imitates and exaggerates the style and content of another work, often for humorous effect.

Comedy Theory

Comedy theory is the study of what makes things funny. There are many theories on what makes things funny, but no one theory can explain all types of comedy. Some popular theories include:

Incongruity theory: Comedy arises from the unexpected or surprising elements in a situation or joke.
Superiority theory: Comedy arises from the feeling of superiority over someone or something.
Relief theory: Comedy arises from the release of tension or anxiety.

Understanding the history, types, and theories of comedy can help writers create effective and engaging comedic content. By studying and analyzing what makes things funny, writers can develop their own unique comedic style and voice.

Developing Material

Finding Your Comic Voice

One way to find your comic voice is to try out different styles of comedy and see what feels natural.

Watch stand-up specials, attend open mic nights, and experiment with different types of humor. Don’t be afraid to bomb – it’s all part of the process.

Another way to find your voice is to write about what you know. Draw from your own experiences and observations to create material that is authentic and relatable. Don’t try to be someone you’re not – audiences can tell when a comedian is being insincere.

Creating Jokes

Once you have a sense of your comic voice, it’s time to start writing jokes.

There are many different techniques for creating jokes, but one approach is to mine your personal life for funny stories and anecdotes. Look for the absurdity in everyday situations and find ways to exaggerate or twist them for comedic effect.

From my personal experience on stage and online, the key to tapping into your God-given comedy voice is to avoid “trying” to be funny. Instead, aim to express your honest opinion, viewpoint or observation. People are drawn to authenticity, and what may not seem funny to you because you think this way every day, may be absolutely hilarious to others.

Another technique is the setup-punchline structure.

The setup establishes a premise or situation, while the punchline delivers the unexpected twist that makes the audience laugh. Good punchlines often involve wordplay, misdirection, or surprise.

Building a Routine

As you develop material, you’ll start to see patterns emerge. Certain jokes may work better together than others, and you’ll start to develop a sense of pacing and flow.

To build a successful routine, it’s important to pay attention to the structure and order of your jokes. Start with a strong opener to grab the audience’s attention, and end with a strong closer to leave them laughing. Use transitions and callbacks to tie your material together and keep the audience engaged.

Remember that comedy is subjective, and what works for one audience may not work for another. Keep testing and refining your material until you find what works best for you. With practice and perseverance, you can develop a strong and unique voice that will keep audiences laughing.

Writing Techniques

Wordplay and Puns

One of the most effective ways to add humor to writing is through the use of wordplay and puns. This technique involves using words that sound similar but have different meanings, or words that have multiple meanings.

Puns can be used to create unexpected twists or humorous situations. For example, using the phrase “time flies” in a story about a talking clock that actually flies would be a pun.

Timing and Pace

Timing and pace are crucial elements in comedy writing. The timing of a joke or punchline can make all the difference in whether it lands or falls flat.

A well-timed pause can build anticipation and create a sense of tension that can be released with a punchline.

Pace refers to the speed at which a joke or story is delivered. Varying the pace can help keep the audience engaged and prevent the humor from becoming repetitive.

Using Callbacks

Callbacks refer to references to earlier jokes or situations in a comedy routine or story. Using callbacks can create a sense of continuity and build on previous humor, making the audience feel like they are in on an inside joke. Callbacks can also be used to surprise the audience by bringing back a joke or situation they thought was finished.

Editing for Brevity

Comedy writing often involves editing and revising to make the writing more concise and effective. Removing unnecessary words or phrases can help sharpen the humor and prevent jokes from dragging on too long. It’s important to remember that brevity is often key in comedy, and that every word should have a purpose.

Performing Comedy

Stage Presence

When performing comedy, having a strong stage presence is crucial. This means being confident, comfortable, and engaging on stage. Good stage presence can help a comedian connect with the audience and make them feel at ease.

To improve stage presence, a comedian can practice their delivery, body language, and facial expressions. They can also try to project their voice and use the stage space effectively.

I don’t recommend practicing in front of a mirror. Instead, take the stance you plan to take in front of a live audience. Also, imagine you’re talking to a friend, if this type of friend exists, who tends to absolutely love your stories.

It’s important to remember that every comedian has their own unique style and approach, so finding what works best for them is key.

Dealing with Hecklers

Dealing with hecklers is a common challenge for comedians. A heckler is someone in the audience who interrupts the performance with comments or insults. It’s important for a comedian to handle hecklers in a way that doesn’t disrupt the show or offend the rest of the audience.

One approach is to acknowledge the heckler and respond with a quick comeback or joke. Another approach is to ignore the heckler and continue with the performance. It’s important to stay calm and not let the heckler derail the show.

Audience Interaction

Interacting with the audience can be a great way to connect with them and make the performance more engaging. This can include asking for volunteers, making eye contact, or even bringing someone on stage.

However, it’s important to be mindful of the audience’s comfort level and not make anyone feel uncomfortable or embarrassed. A comedian should also be prepared for unexpected responses or reactions from the audience and be able to adjust their performance accordingly.

Comedy Writing for Different Mediums

Stand-Up

Stand-up comedy is a unique and challenging form of comedy writing. It requires a comedian to create material that can engage an audience for an extended period of time. When writing stand-up comedy, it is important to keep the following in mind:

Know your audience: Understanding your audience is key to writing successful stand-up comedy. A comedian should tailor their material to the audience they are performing for. For example, a comedian performing at a college campus will have a different audience than one performing at a comedy club.
Write what you know: Writing about personal experiences is a great way to connect with an audience. Comedians should draw from their own experiences and find humor in everyday situations.
Practice, practice, practice: Stand-up comedy is all about timing and delivery. Comedians should practice their material in front of an audience to get a feel for how it will be received.

Television and Film

Comedy writing for television and film requires a different approach than stand-up comedy. Writers must create characters, plotlines, and dialogue that will engage audiences over an extended period of time. When writing for television and film, it is important to keep the following in mind:

Develop strong characters: Strong characters are essential to any successful television show or film. Writers should create characters that are relatable, interesting, and have unique personalities.
Know your genre: Different genres require different approaches to comedy writing. A sitcom will have different comedic beats than a romantic comedy or a satire.
Collaborate with others: Writing for television and film is often a collaborative process. Writers should be open to feedback and work closely with directors, producers, and other writers to create the best possible product.

Online Platforms

Comedy writing for online platforms, such as social media and YouTube, has become increasingly popular in recent years. Writing for these platforms requires a different approach than traditional forms of comedy writing. When writing for online platforms, it is important to keep the following in mind:

Keep it short and sweet: Online audiences have short attention spans. Writers should create content that is short, snappy, and to the point.
Use visuals: Visuals, such as memes and videos, are an important part of online comedy. Writers should incorporate visuals into their content to make it more engaging.
Stay up to date: Online trends and memes change quickly. Writers should stay up to date on current events and online trends to create content that is relevant and timely.

The Business of Comedy

Marketing Yourself

As a comedian, it’s important to market yourself effectively to get your name out there and attract potential gigs. One way to do this is by creating a strong online presence through social media, a personal website, and YouTube videos showcasing your best material. It’s also important to have a professional headshot and bio readily available for potential clients.

Another effective marketing strategy is networking with other comedians, industry professionals, and event planners. Attend comedy shows and festivals, join local comedy groups, and participate in open mics to meet and connect with others in the industry.

Finding Gigs

Finding gigs as a comedian can be challenging, but there are several ways to increase your chances of getting booked. One way is to reach out to event planners and bookers directly, either through email or in person at comedy shows and festivals. It’s important to have a strong pitch and be able to showcase your experience and unique style.

Another effective strategy is to work with a talent agency or booking manager who can help you find gigs, negotiate contracts, and handle the business side of things. However, it’s important to do your research and make sure you’re working with a reputable agency or manager.

Networking

Networking is crucial in the comedy industry and can lead to valuable connections and opportunities. Attend industry events, participate in comedy workshops and classes, and join local comedy groups to meet other comedians and industry professionals.

It’s also important to maintain relationships with event planners, bookers, and other industry professionals you’ve worked with in the past. Send follow-up emails after gigs, thank them for the opportunity, and keep them updated on your upcoming shows and projects.

By effectively marketing yourself, finding gigs, and networking with others in the industry, you can increase your chances of success as a comedian.

Continual Improvement

Improving one’s comedy writing skills is a never-ending process. There are always new techniques to learn, styles to experiment with, and feedback to analyze. Here are some ways to continually improve your comedy writing:

Analyzing Feedback

One of the most important aspects of improving your comedy writing is analyzing feedback. Whether it’s from a fellow comedian, a friend, or an audience member, feedback can help you identify what’s working and what’s not. Take note of the feedback and use it to improve your future material.

Practicing Regularly

Practice makes perfect, and this is especially true for comedy writing. The more you write, the better you’ll become. Set aside time each day to write, even if it’s just for a few minutes. This will help you develop your skills and keep your creativity flowing.

Evolving Your Style

Comedy writing is not a static art form. Styles and trends change over time, and it’s important to stay up-to-date with the latest developments. Experiment with different styles and techniques to keep your writing fresh and engaging. Don’t be afraid to take risks and try something new.

In conclusion, continual improvement is essential to becoming a successful comedy writer. Analyzing feedback, practicing regularly, and evolving your style are just a few ways to keep your skills sharp and your material fresh. Keep learning, keep writing, and never give up on your dreams of making people laugh.

How Do Ventriloquists Talk: Learn How to Do Ventriloquism and Become a Skilled Ventriloquist

04/04/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: ventriloquist

Learn How To Do Ventriloquism The Right Way!

Image of comic Ventriloquist special events

The dynamics between ventriloquist and sidekick are what can make an act so much fun. This is me when I was first starting out.

Are you excited to learn how to do ventriloquism? You’re in the right place!

This fun art form has opened up incredible opportunities for me for over two decades, and it could do the same for you.

But how do ventriloquists talk? Ventriloquists use a combination of techniques:

Speak without moving their lips. This is achieved by using the tongue, throat, and vocal cords to produce sounds, while keeping the lips and jaw still.
They use the puppet or dummy to provide a visual distraction, making it appear as though the sound is coming from the figure rather than the ventriloquist.

Ventriloquism Defined

Ventriloquism is the art of speaking in such a way that the sound seems to come from a source other than the speaker’s mouth.

This is often done by using a puppet or partner. To begin your journey in ventriloquism, the first step is to learn to speak without moving your lips. It might sound challenging, but with consistent practice and a strong desire to succeed, you can master this unique skill.

The initial focus should be on basic techniques that ventriloquists use. First, you’ll need to understand the importance of controlling your lips. The key to successful ventriloquism is to practice speaking while keeping your lips as still as possible. You’ll start with simple sounds and then work your way up to more complex words and sentences. Remember, ventriloquism is all about making your voice appear to come from your puppet or partner.

Master Sound Substitutions

One of the most essential aspects of ventriloquism is mastering sound substitutions. This involves learning how to replace the difficult-to-pronounce letters, such as “B,” “F,” and “P” with easier sounds. This technique allows you to create the illusion of speech without moving your lips. Additionally, you should practice talking in a variety of tones and pitches, as this will make your ventriloquist performance more dynamic and engaging.

The more you practice, the more natural your ventriloquial voice will sound. A key tip is to practice in front of a mirror. This helps you observe your lip movements and make the necessary adjustments. Moreover, recording yourself while practicing can be incredibly beneficial. By playing back the recordings, you can identify areas for improvement and track your progress. Consistent practice is crucial to becoming a proficient ventriloquist.

Developing a Character for Your Puppet

Another vital component of learning ventriloquism is creating a strong, believable character for your puppet.

Spend time developing the:

personality,
background, and
voice of your puppet.

This makes your ventriloquist act more interesting and entertaining for your audience. Additionally, building a rapport between you and your puppet can significantly enhance your performance.

To do ventriloquism effectively, you’ll also need to work on syncing your puppet’s movements with your speech. Your puppet’s mouth should move in sync with the words you’re saying, creating the illusion that it’s the one talking. This requires practice and coordination, but the effort is worth it as it makes your act more convincing.

Add Humor or Storytelling

Finally, don’t forget to incorporate humor and storytelling into your ventriloquist act. Engaging stories and lighthearted jokes can captivate your audience and make your performance memorable. Many professional ventriloquists are known for their comedic skills and their ability to make their puppets seem like real, living characters. Remember, practice and perseverance are key. With dedication, you can learn to speak without moving your lips and become a successful ventriloquist. So, start practicing today and embrace the exciting world of ventriloquism!

I still don’t get the respect that I want from my sidekick, Luigi! Pictured from left to right: Ali the Alligator, Luigi, Justin (me) and Tony.

How To Talk Without Moving Your Lips:

Learning how to talk without moving your lips is a fundamental skill you need to master if you want to become a skilled ventriloquist. It may seem challenging at first, but with consistent practice and the right techniques, you’ll be able to engage in a conversation where your mouth stays virtually closed. Let’s dive into the essentials of this unique form of speaking.

First, it’s important to understand the role of your mouth and tongue in this process. Typically, your lips play a significant role in forming speech, which means you’ll have to retrain yourself to rely more on your mouth and tongue for articulation. When you close your lips, you’re forcing yourself to find alternative ways to produce sounds and words.

A great way to start practicing is by focusing on your breath control and the way you use your diaphragm. Good breath control is vital in producing clear sound without moving your lips. Start by taking a deep breath and then slowly releasing it while attempting to talk with your mouth closed. Pay attention to how your ventriloquist mouth and tongue function during this exercise.

Next, you’ll need to work on substituting specific letters, particularly those that usually require lip movement. For example, letters like ‘P,’ ‘B,’ and ‘M’ are tricky because they normally need your lips. This is where mastering sound substitutions comes into play. Instead of saying ‘P,’ you might substitute it with a softer ‘T’ sound, yet make it appear as if you’re saying ‘P’ through context in the conversation. Similarly, adapt the ‘B’ sound into a ‘D’ and ‘M’ into an ‘N’ or ‘NG’ sound. These substitutions can help you achieve a more natural ventriloquial voice.

Practicing saying the alphabet with your mouth closed is another excellent exercise. Start with the easier letters like ‘A,’ ‘E,’ ‘I,’ ‘O,’ and ‘U,’ and gradually move on to the more difficult ones that require lip movement. By repeatedly practicing, you build muscle memory and improve your ability to speak clearly without using your lips.

Remember, an essential part of becoming a proficient ventriloquist is patience. Initially, it might feel awkward and frustrating, but over time, your ability to maintain a conversation with your mouth closed will become more natural. Don’t be discouraged by hiccups along the way—every skilled ventriloquist has gone through this exact learning curve.

Finally, make sure you practice in front of a mirror. Observing yourself helps you ensure your lips stay closed while you talk. You can also record yourself to analyze whether your speech is clear and if your mouth movements are minimal. Additionally, seeking feedback from others can provide useful insights into how convincing your lip-less speech is.

In summary, mastering the art of talking without moving your lips involves persistent practice, breath control, and sound substitution techniques. By consistently working on these skills, you’ll certainly enhance your ventriloquism and find your conversations becoming fluid with a closed mouth. Keep pushing forward, and you’ll soon see significant progress in your ability to talk without moving your lips.

It may seem hard at first, but keep going! Once you master the skill, you’ll be so thankful.

Steps to Speak Without Moving Your Lips

When it comes to learning how to perform ventriloquism, understanding the steps to speak without moving your lips is crucial. As you embark on this journey, you’ll soon discover how essential it is to master the technique of speaking without using your lips visibly. The art of ventriloquism involves precise mouth position and the ability to form words and letters in a way that makes them audible without moving the lips. Let’s dive into the specific steps you need to take to become a proficient ventriloquist.

First and foremost, start by understanding the mouth position. You’ve got to keep your teeth slightly apart and your lips as still as possible. Practicing this specific mouth position will help you form sounds without giving away that you’re the one talking. To do this successfully, try speaking letters that don’t require the use of your lips. Focus on the sounds made by letters like “T”, “D”, “N”, and “K”. These letters allow you to practice speaking while ensuring your lips stay still.

Next, you should practice repeating individual letters and words that involve minimal lip movement. For an aspiring ventriloquist, practice is key to perfecting the art of talking without moving your lips. Start with simple words and observe how your mouth forms each letter and word. Over time, you’ll build a natural ability to speak sentences while keeping your lips completely still. One effective approach is to practice in front of a mirror. By observing yourself, you could correct any inadvertent lip movements and refine your technique.

Another critical aspect is to tackle the more challenging letters and sounds. Letters such as “B”, “F”, “M”, “P” and “V” require significant lip movement, making them particularly tricky for ventriloquists. However, by using sound substitutions, you can learn to ‘fake’ these sounds. For example, instead of saying “B”, you might say “D”, which doesn’t require lip movement. The same goes for other tricky letters; it’s all about finding a similar-sounding substitute that can be pronounced without moving your lips.

As with learning any new skill, continuous practice is paramount. Spend time each day focusing on your ventriloquism skills. Regular practice sessions will help your speaking technique become more natural and fluid. You could also consider recording yourself. This way, you can listen to your pronunciation and adjust accordingly. Over time, with diligent practice, you’ll notice significant improvements in your ability to talk without moving your lips.

In summary, mastering the steps to speak without moving your lips is a fundamental part of learning ventriloquism. Remember to keep your mouth position correct, practice the easy letters first, work on sound substitutions for challenging letters, and engage in regular practice. With dedication and patience, you would become a skilled ventriloquist, capable of creating seamless and captivating performances. Don’t forget, the more you practice, the more natural and flawless your ventriloquism will become. Keep at it; you’re well on your way to mastering this unique and fascinating art form!

A still image from a video I created in 2018. I have no idea what we were even talking about. 🤭

Mastering Sound Substitutions and the Ventriloquial Voice

Mastering sound substitutions and the ventriloquial voice is a crucial milestone in your journey to becoming a skilled ventriloquist. The foundation of ventriloquist speech is the ability to produce certain sounds without moving your lips. To achieve this, you need to learn sound substitutions for those tricky consonants that typically require lip movement. For example, the sound ‘B’ can be substituted with a soft ‘D’ to create a similar effect without lip movement. By practicing these sound substitutions, you’ll gradually train your voice to produce these sounds seamlessly.

The ventriloquial voice isn’t just about substituting sounds; it involves creating a unique vocal style that makes it seem like the sound is coming from a different source, typically your puppet or partner. To master this, you’ll need to practice projecting your voice in various ways. One technique is the “internal voice,” where you speak softly and let the sound resonate as if it’s coming from within the puppet. Another method is the “external voice,” projecting it outward as if the puppet has true vocal cords. Developing this ventriloquial voice requires consistent practice and attention to how your voice and sound are perceived by your audience.

It’s also important to focus on how your voice sounds. Practice speaking words aloud while keeping your jaw as still as possible. This will help you maintain the illusion that your sound and voice are coming from your puppet. Recording your practice sessions can be very helpful. Play back the recordings to hear how your ventriloquial voice sounds and identify areas for improvement. Listen for any unintended lip movement or unnatural sound quality in your speech. Aim to create a natural-sounding ventriloquist speech, where the shift in sound origin is convincing.

Your practice routines should also include saying entire phrases and sentences to build fluency with sound substitutions and the ventriloquial voice. Start with simple words and gradually build up to more complex sentences. Practicing with a partner or in front of an audience will give you valuable feedback on the effectiveness of your ventriloquial voice and sound substitutions. Remember, becoming adept at ventriloquist speech takes time and persistence, so be patient and stay committed to your practice.

Equally important is the style you develop as a ventriloquist. Your voice and sound should have a consistent style that complements your puppet’s personality. This style will make your performances more engaging and believable. Experiment with different vocal tones, pitches, and accents to find a voice that works well for you and your puppet.

By integrating these elements—sound substitutions, the ventriloquial voice, consistent practice, and developing a unique style—you’ll be well on your way to becoming a skilled ventriloquist. Each practice session will bring you closer to achieving convincing ventriloquist speech, making each performance a delightful experience for your audience.

Remember, the key to success is practice, patience, and a love for the art of ventriloquism. Stay encouraged, and soon enough, you’ll see significant improvements in your skill level!

As tempting as it may be, covering up your mouth is not an option, lol. 😂

Learning To Say The Alphabet With Your Mouth Closed

Learning to say the alphabet with your mouth closed is an essential skill for every aspiring ventriloquist. The goal is to articulate the letters clearly without moving your lips. It may sound challenging at first, but with time and practice, you can master this art. Start with simple exercises focusing on each letter of the alphabet. Keep your mouth closed as you attempt to produce the sounds of each letter. Remember, it’s important to control your breath while doing this because proper breath control is crucial for clear and consistent speaking.

A good way to begin is by watching an international ventriloquist perform. Pay close attention to how they say each letter without moving their lips. Famous ventriloquists like Jeff often showcase remarkable skills in this area. Notice how they maintain a natural and relaxed expression even when their mouths are completely closed. Observe, learn, and then imitate these techniques in your practice.

Practicing the alphabet while keeping your mouth closed might feel awkward initially, but with dedicated time and consistent effort, you’ll notice improvement. Start with easier letters that don’t require your lips to touch, such as ‘A’ and ‘E.’ Gradually, you can move to more complex sounds. Each letter has a unique way to be pronounced with a closed mouth, so patience and persistent practice are key.

One helpful method is to use a puppet during your practice sessions. It’s easier to stay motivated when you have a puppet to animate. Plus, this will help you apply your skills in a natural setting, as if performing for an audience. Speak words and phrases aloud, making sure each letter and word is clear, despite your lips being still. Keep at it until the letters flow easily and sound natural.

Spend ample time daily on your practice sessions. The more time you invest, the quicker you’ll see results. Ensure you’re not only practicing individual letters but also combining them to form words. This is where controlling your breath becomes even more vital. With time, you’ll develop a smooth and seamless ventriloquial voice that’s capable of saying entire sentences without lip movement.

If you face difficulty with certain letters, don’t get discouraged. It’s perfectly normal to have a few challenging letters. Keep practicing diligently, and with time, you’ll overcome these hurdles. Practice speaking words that include these tricky letters, and repeat the process until you can pronounce them without stress.

Remember that every skilled ventriloquist, even professional ones who perform on international stages, started where you are today. They’ve all spent countless hours learning and practicing the alphabet with their mouths closed. Jeff and other experts have reached their level of proficiency by demonstrating unwavering dedication. Believe in yourself and keep refining your skills. With time, practice, and the right techniques, you too could become a skilled ventriloquist, able to speak clearly while keeping your mouth closed.

Embrace the learning journey and look forward to each milestone you hit along the way. You’re well on your way to mastering the alphabet with a closed mouth. Keep practicing and remember that your hard work will pay off. Good luck!

Image of Learning Ventriloquism with Mirror

Seeing yourself talk without moving your lips can be so helpful. You’ll notice movements in your jaw you might not’ve known are happening. This helps you get even better!

How To Say The Labials Without Moving Their Lips

When learning ventriloquism, one of the most challenging aspects is figuring out how to say the labials without moving your lips. Labials are consonants produced using the lips, such as the letters B, P, and M. For a ventriloquist, finding a way to pronounce these sounds without visibly moving their lips is crucial. Don’t worry, with practice, you’ll get the hang of it!

First, you need to understand why saying labials without moving your lips is tricky. The letter B, for instance, requires both lips to come together and then release. The letter P follows a similar pattern, while the letter M needs your lips to stay together and allow sound to emanate through your nose. When you try to say these letters in ventriloquism, you must find clever substitutions that make your speech sound natural.

Instead of using your lips fully, use your tongue and breath to produce similar sounds. Replacing B with D works quite well, as in saying “bake” as “dake”. For P, try using T to transform “pat” into “tat”. M can be a bit tougher, but using an N often suffices, making “math” sound like “nath”. One secret is ensuring good breathing techniques to support these substitutions seamlessly. Good breathing opens the window to smoother, more convincing speech.

Another way to achieve this is by refining your practice routines. Start by exaggerating your mouth movements in front of a mirror. Watching yourself will help you see the subtle movements of your lips and identify areas where you need to practice more. Next, practice speaking sounds from your nose. If you can effectively transfer the weight of the sound from your lips to your nose, your ventriloquial performance will become much more convincing.

Dedicate time daily to repeated trials while focusing on different aspects of your ventriloquist speech, like breath control, proper mouth movements, and accurate tongue positioning. Combining these methods will make your labials sound clearer without relying on your lips. Make sure your tongue plays a pivotal role in shaping sounds while your lips remain still. This practice might seem tedious, but remember every ventriloquist has gone through it, and you will improve each day.

Using these techniques, ventriloquists can talk without making it obvious that they’re controlling speech solely through their mouth. Expert performance comes from diligent practice and mastering the art of talking through different parts of your body, like the nose and breath control. The more you practice, the easier it becomes to create a flawless illusion that will captivate your audience.

Mastering how to say the labials without moving your lips takes time and patience, but it’s a crucial step for any aspiring ventriloquist. Continue to practice and refine your speaking skills, and soon you’ll be amazed at how natural your ventriloquial voice sounds. Remember, good breathing, controlled tongue movements, and consistent practice will guide you in becoming a skilled ventriloquist, capable of saying even the trickiest of labials without ever moving your lips.

This is me experimenting with camera and lighting for a YouTube video. It was the middle of winter, with sub-zero temperatures! ❄️

Tips to Make Your Ventriloquial Voice Sound Natural

When you’re on a journey to become a skilled ventriloquist, mastering the ventriloquial voice is crucial. Here are some practical tips to make your ventriloquial voice sound natural and authentic. First and foremost, practice is essential. It’s important to practice consistently to develop a natural-sounding ventriloquial voice. Spend ample time each day practicing speaking without moving your lips. You’ll discover that the more time you dedicate to practice, the better your voice will become.

Next, focus on your mouth position. The position of your mouth when performing ventriloquist speech is vital. Keep your mouth slightly open, just enough to produce sound without obvious movement. This subtle mouth position will help you deceive the audience, making them believe the sound is coming from the puppet rather than you. Additionally, ensure your tongue is in the right position to produce clear, articulate sounds without moving your lips.

Another essential aspect is your speech. Aim to make your ventriloquist speech as clear and consistent as possible. Pay attention to your diction and pronunciation, and work on maintaining a steady speech rhythm. Consistency in your speech will help make your ventriloquial voice sound more natural and fluent, preventing any awkward pauses that might give away the illusion.

Incorporating a resonant voice into your performance is also important. A resonant voice adds depth and richness to your ventriloquial voice, making it more convincing for your audience. Experiment with different vocal techniques to find what works best for you and complements your natural speaking voice. Remember, the goal is to create a seamless blend between your ventriloquial voice and your normal voice.

Consider your audience’s perspective as well. When performing, always observe how your audience reacts to your ventriloquist speech. Their feedback can be invaluable in refining your technique and making your performance more engaging. Notice which elements of your routine capture their attention and which might need improvement. Fine-tuning your routine based on audience feedback will significantly enhance the authenticity of your ventriloquial voice.

Lastly, ensure you maintain a relaxed demeanor throughout your performance. Tension can result in a strained or unnatural-sounding voice. Take deep breaths before speaking and remain calm to make your ventriloquial voice sound smooth and effortless. With practice and patience, you’ll find that your voice becomes more resonant and natural over time.

By implementing these tips, you could significantly improve your ventriloquial skills. Remember, practice makes perfect. Dedicate time to honing your craft, and you’ll likely find that your voice becomes more natural and convincing. With perseverance and dedication, you’d soon amaze your audience with your seamless ventriloquist performance. So keep practicing, refine your routine, and embrace every opportunity to perform – success is within your reach!

Ventriloquist Darci Lynn during her participation in America’s Got Talent. She went on to take 1st place and win the Million Dollar Prize! The gentleman who coached her also coached me.

Did this article help you learn to do ventriloquism?

We hope this article has given you a solid foundation to learn ventriloquism, opening the window to a fascinating new skill. If you’re wondering how ventriloquists talk and want to become a skilled ventriloquist, you’ve come to the right place. By following the steps outlined here, including methods to say the alphabet and master sound substitutions, you’re well on your way to captivating your audience without moving your lips.

Have you ever marveled at famous ventriloquists like Jeff Dunham and wondered how they’ve perfected their routines over the years? It’s not just talent; it requires diligent practice and learning the ins and outs of ventriloquism. One of the first challenges you’ll face is learning to say labial letters like “B,” “P,” and “M” without moving your lips. This article breaks down these obstacles and offers tips to make your ventriloquial voice sound natural.

Engage your audience by mastering a routine that seems effortless. When you join the ranks of skilled ventriloquists, you’ll be able to switch between your voice and your puppet’s voice seamlessly. You’ll not only entertain but also captivate, making every performance a memorable one. Remember, every international ventriloquist started as a beginner, just like you.

If you’ve followed the steps in this article, you should feel confident in your ability to perform simple ventriloquism acts. With time and practice, you’ll refine your skills and develop a routine that works for you. Don’t be disheartened by the learning curve; ventriloquism is an art that takes years to perfect. Join ventriloquist forums and groups to get helpful feedback and stay updated on the latest techniques and trends. You can even become a member of international ventriloquist associations to further your skills.

If you’re still unsure about how to progress, look at additional sources like Britannica or news outlets that focus on ventriloquism today. Watch performances from well-known ventriloquists for inspiration and try to implement their strategies into your routine. This will not only broaden your understanding but also give you new ideas for your acts.

Have any questions? Feel free to ask other members or look through the “FAQ” section of our site. Your feedback is valuable, so don’t hesitate to tell us how this article has helped you. Did you find the techniques and instructions on how ventriloquists talk and perform useful? Are there additional topics on ventriloquism you’d like us to cover? Let us know so we can assist you better.

A dynamic performance requires continuous learning and adaptation. Whether you aim to perform for small gatherings or aspire to go big, the key is to keep improving. Use this article as your starting point and build upon your knowledge. We look forward to hearing about your journey and seeing how you’ll amaze your audience. Did the window to the world of ventriloquism just open a bit wider for you? We certainly hope so!

Book Justin and his Team for a Ventriloquism Show

What Do Ventriloquists Call Their Puppets?

03/03/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: ventriloquist

Having been in the ventriloquism community for over three decades, and met Jeff Dunham, Terry Fator and many other greats, I’ve heard puppets referred to by a number of names.

Generally, here’s how ventriloquists refer to their puppets:

The most commonly used term is ventriloquist figure, and second most common is sidekick.

There’s more to this, based partly on the discussions I’ve heard at the VentHaven International Ventriloquist Convention, which I share below:

Ventriloquist & Corporate Entertainer Justin Ver Burg

LIST OF WHAT VENTRILOQUISTS CALL THEIR PUPPETS:

Vent Figure
Sidekick
Character

NOT RECOMMENDED:

Dummy

Let’s check out each of the terms and consider the Pros and Cons.

1) Ventriloquist Figure (or Vent Figure, Figure)

At the VentHaven International Ventriloquist Convention, there have been many discussions about what to call our fun little pals. The consensus is the most proper term is “Vent Figure.”

Half of the illusion of ventriloquism is made possible by the belief that your little pal is real. If you call him or her a “dummy,” for instance, it’s going to be a reminder the character is not real.

That’s the last thing we ventriloquists need – a reminder it is fake.

When you call it a ventriloquist figure, it is proper, gives respect to the character we want the audience to believe is real, and everyone wins.

2) Sidekick (or Comedy Sidekick)

I first heard a puppet referred to as a Sidekick by Jeff Dunham in an interview he did for what I believe was People Magazine back in 2001. It’s great because you can also call it a “comedy sidekick” if you’re trying to appeal to an audience who appreciates stand-up comedy.

He referred to his entire crew of sidekicks as a Posse.

When you hear these terms, you imagine real little people spouting off their funny opinions to Jeff. It works, but each ventriloquist needs to figure out what works best for them.

3) Character

I’ve heard the little dudes referred to as Characters by someone who I respect greatly – Myself.

I personally like character because it seems to carry with it mainly positive attributes. Plus, if you’re hoping to someday turn the personality you’ve created into more than just ventriloquism, like children’s books, children’s programming, merchandise licensing, etc., then character seems fitting for such a thing.

At one point, a manager I had at the time sat me down and explained that creating a fun show can lead to $10 million. If you can create a “world,” it can be $100 million plus.

Think of Winnie the Pooh, Charlie Brown and Peppa Pig. These are massive brands based on characters.

Not Recommended – Dummy

This term has too many negative connotations. At the VentHaven Convention, they generally discourage you from using it.

Ventriloquist “Great Lester” in a public domain photo dated 1904. This was back before cigarette smoking was publicly known to cause health issues.

It’s tough because if you are speaking to a general audience, they will typically know instantly what you are referring to if you say “dummy.” As far as communication goes, this would seem like a wise move. It is very efficient. They know what you’re talking about, and it takes very little explanation.

My website, after all, is tied in with the word.

I even sort of don’t like the term, even though it rhymes with “funny” and I own the domain name (liketony.com) and the copyright is mine too. I still use funnydummy as my brand, though, because it is so easy for people to remember.

My guess is they think my characters are “funny,” and I’m a “dummy” for being a ventriloquist as a profession. Ha ha.

How Does One Become a Comedian?

02/03/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: Comedian

After over 20 years as a professional comedian, I’ve heard about every story imaginable either first-hand or through others of how comics got their start.

Image of comedy show stage If you’ve got the comedy bug, here’s how one becomes a comedian::

Write down topics that seem interesting or odd to you.
Of these topics, write down interesting info about each.
Go back over what you’ve written and interject your comments or observations throughout.
Repeat step three several times. TIP: Don’t try to be funny. Endeavor to be genuine and share your honest thoughts.
Go over what you’ve written down so many times that you could literally rattle it off without looking at your notes.
Take it to an open mic night at a coffee house or comedy club and see what kind of response you get. TIP: Make sure to at least record the audio for later reference.
Listen to your performance and see where people laughed the most.
Do this one or two more times with that same script.
Toss out the parts that didn’t get a good response, and elaborate on topics that you now have new thoughts on.
I know it sounds cliche, but “rinse and repeat.”

You may be saying, “Wait a minute! I want to know the business side of things – not how to develop the skills.”

Honestly, if you can put together an act that consistently gets laughs with strangers young and old, you’re about 90% of the way there.

In fact, Jerry Seinfeld once told The New York Times that up-and-coming comedians can make the mistake of focusing too heavily on marketing instead of developing their show.

Here are some stories of how a few comedians who you may be familiar with got their start:

Jay Leno, comedian and TV host

Jay Leno noticed his bent toward the funny business when in grade school. He made a decision early on that comedy would be an important part of his life.

Initially working as a mechanic, Leno started out by getting gigs at a local strip club outside of Boston where he lived. Yes, it’s a very strange venue to hone your comedy chops, but he used his strong work ethic to not let having a tough audience and awkward performing situation phase him.

It seems to have worked out for him!

Mike Epps

Image of Mike Epps Comedian He got his start in comedy clubs in Indianapolis. He joined Def Comedy Jam comedy tour in 1997, and that sort of put him on the radar of movie producers.

Epps has since become a movie star in his own right, and still performs much stand up comedy.

I’ve asked if he wanted to perform at Comedy and Magic Club in Hermosa Beach, California, but his act is a bit too edgy for that audience (my words, not his). He does a great job connecting with his audiences and has a massive following.

Jeff Dye, comedian and TV host

If you’re familiar with Jeff Dye, although commercially successful, he is nowhere near the level that the formerly mentioned comic, Jay Leno, is; however, he has accomplished an amazing amount in a short time.

I ran into Jeff Dye at a now defunct comedy club in Seattle, Giggles Comedy Club, back in 2007. At the time, he was making peanuts (figuratively speaking, but literally only a few dollars per gig) around Seattle and even around the Pacific Northwest. I remember stories of him driving to Wyoming to entertain at some shady casino and making very little money for it. In fact, by the time he drove there and back, I wonder if it ended up costing him more to do the gig than to just sit on the couch at home.

But he was performing, which was key. I remember him mentioning talking to his modeling agent at Heffner Management in Seattle about getting modeling jobs, so I believe he was doing everything he could to make ends meet, including non-comedy things like using his looks to bring in dough.

While he was at what I believe was the Comedy Underground in Seattle, a scout for the NBC TV show Last Comic Standing saw him and asked if he’d compete on the show.

If I remember correctly, he placed third that season, which gave him enough TV exposure to begin getting a following (people who would pay to see him do comedy at comedy clubs throughout the U.S.), plus it opened up other TV opportunities like being on TV show Fixer Upper. He even created his own show called Money From Strangers and it aired on MTV for a couple of seasons.

Jimmy Kimmel

He does a stand up set every night on his show, so you’d think he got his start in comedy clubs.

Interestingly, his background is actually in radio. He was on radio with Adam Corolla for years.

I’ve never been a guest on his show, but have visited with him and his wife a couple times because he lived part-time near me. He has a sharp mind and a quick wit, and he would probably say not to include his story of how to be a comedian here, where I’m including it. 🙂

Jerry Seinfeld

Considered one of the ultimate comedians because of the length and success of his career, Seinfeld started out by performing at open mics at comedy clubs in New York. Meanwhile, he was working as a waiter at a restaurant.

There was a transition for him professionally when he realized that waiting tables was holding him back. People would see him at a comedy club and be impressed with his show. Then they’d be waited on by him at a restaraunt and said, “you do this too?”

He felt he had to make the leap and start living full-time off the money he was making from comedy clubs, which probably wasn’t much at the time, and leave the restaurant business.

Do Ventriloquists Throw Their Voice?

01/03/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: ventriloquist

With 26 years of experience as a professional ventriloquist, I’ve been through about every training that exists. Also, I’ve met most of the ventriloquists who are household names.

Here’s the definitive answer to whether ventriloquists throw their voice:

Ventriloquists do not actually throw their voice. Instead, they create the illusion that their voice is being “thrown.”

Image of Ventriloquists Comicstrip

It is important to note that there are two ways a ventriloquist creates this illusion. One is called near ventriloquism, the other is distant ventriloquism. We’ll take a quick look at what each of these is.

Near Ventriloquism

When a ventriloquist makes a puppet or dummy talk, this is considered near ventriloquism. Because the object is next to them, and they are creating the illusion that the voice is coming from it.

No special voice skills are required to pull this off – besides not moving ones lips and also moving the puppet to make it look lifelike.

All of our lives, we have seen a correlation between someone’s mouth moving, and a voice coming from their mouth. When we hear a voice and see a puppet’s mouth move – even though it is a few feet from where the source of the voice, our brain automatically tells us the voice is coming from the puppet. The illusion is created automatically.

Distant Ventriloquism

This is where a ventriloquist creates the illusion that a voice is coming from a source quite distant from the ventriloquist. As it may go without saying, some serious magic is required to successfully pull this off.

Compared to near ventriloquism, this can be more difficult.Of course, I’m not downplaying the high level of skill required for near ventriloquism. After all, speaking without moving your lips, plus making an inanimate object look lifelike is quite a feat!

Back to distant vent (short for ‘ventriloquism’). From an audience’s perspective, a voice seems to be coming from an attic, as an example. In reality, it is coming from the ventriloquist.

Half the challenge is altering one’s voice to make it sound like another person’s voice coming from another location. The other half is leading the person to believe it is coming from that source.

In near ventriloquism, an audience member’s brain is telling them the voice is coming from the puppet in their plain sight. In distant ventriloquism, the ventriloquist’s non-verbal or verbal response to the voice is what creates the illusion.

This could be as simple as the ventriloquist’s body language showing shock by jumping away from the fictitious source of the voice when they hear it.

Examples of Near Ventriloquism

Over the last few years, three ventriloquists have America’s Got Talent using near ventriloquism. Terry Fator, Darcy Lynne and Paul Zerdin all made puppets in their possession talk.

Another is Comedy Central start Jeff Dunham. His use of near vent to make Walter (crank old guy), Bubba J (hillbilly), Peanut (purple thing) and Achmed of “I keel you” fame talk has made him a millionaire many times over.

Image of comic Ventriloquist special events

Examples of Distant Ventriloquism

Althought AGT winner Paul Zerdin primarily made puppets in his possession talk, there were some bits where he made a puppet of a baby cry who was some distance from him. The puppet was in a baby carrier facing away from the audience, while Zerdin was standing above the baby carrier.

On a personal note, whenever I’ve tried to incorporate distant ventriloquism into my routine, at open mic’s I was told that it didn’t sound like a voice was coming from the attic. Instead, it apparently sounded like I was constipated. Yikes! 😂

I believe most anyone could learn distant ventriloquism if they were willing to put in the time and effort. Thus far, I obviously haven’t been motivated enough to do so myself.

Whether a ventriloquist is throwing their voice into a puppet nearby, or an object far away, they are not throwing their voice. It is the incredible illusion that leads the audience to believe the voice is being “thrown.”

How to Write Funny Speeches

05/01/2024 | Comments: 0 | Posted by: Justin Ver Burg | In: Comedy, comedy writing, Comedy, funny speeches

A lot of people ask me “how in the world do you continue to create killer comedy material on a consistent basis without running out of ideas?”

It’s simple, once you know what to do…

Most people have a natural sense of humor. Notice I said “most.” Not everyone.

Those who do are often being told “that is so funny.” However, the thing they just said was not intended as a joke. It was just their honest opinion.

In fact, if you check out the following interview of Bret McKenzie on Conan O’Brien, you’ll notice that people keep laughing at his serious comments:

If you look at the history of some of comedy’s greats (Eddie Murphy, etc.), they ran off the stage the first time they walked up to an open mic.

Even if it wasn’t that dramatic, most comics were still horrified the first time they went onstage? Why?

Possibly all their life people had been telling them how funny they were. They’d experienced getting a room full of people laughing; however, they enter the comedy scene and can’t get one laugh. The problem?

They’re “trying” to be funny, instead of letting their “natural” sense of humor work for them.

In a nutshell, the way to get your God-given sense of humor to work for you is to write what you’re passionate about down on paper. (I.e. What seems interesting / puzzling / intriguing / drives you nuts / etc.)

Then, read back over it. After each line, write whatever opinion/thought comes to mind about that particular sentence. These are your punchlines.

As an aside, it helps to speak your lines out loud. You’ll find that you use a different set of verbage for “spoken” word versus “written.”

I know this works because I would struggle for years to come up with enough funny lines for the comedy stage. I would work four to five hours a day on creating new material, and would only produce a maximum of twenty minutes per year! (Apparently, this is a normal yield for comedians…)

Now, I can come up with 10 minutes a week if needed. This is how some comedians, like the now controversial Bill Cosby, can put deliver three hours of brand new comedy in his shows – even if you saw him a couple years before.

If you’re writing a speech, interject your own natural gut reactions to some of the things you’re saying. You’ll be surprised at how the audience might burst into uncontrollable laughter by just listening to your “honest” opinion about things.

Remember: If you “try” to be funny, you might not be funny at all. People will sense it as being “contrived.” Focus more on “expressing” yourself than being funny.

Of course, you won’t know for sure until you try it out on a live audience (or an unsuspecting friend).

There’s more to it, but just this advice alone can take your trying-to-be-funny-but-isn’t at-all speech and turn it into a comedy gem.

I wish you the best in your motivational speaking endeavors, and if you’re ever at a comedy show of mine, you’ll have a better understanding of “how” I’m doing what I’m doing.

To your success!

P.S. If you want more in-depth info on this subject, I do not offer personal coaching; however, I HIGHLY recommend Steve Roye’s online course Killer Stand Up. I’ve tried several and read SEVERAL comedy writing books. His is the best!

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